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| Author: | Robertshaw, N. |
| Title: | U.S., Euro Copyright conflicts examined |
| Journal: | Billboard
1988 : FEBRUARY 6, VOL. 100:6 p.63 |
| Index terms: | |
| Freeterms: | Soundtrack work, Work-for-hire, Co-author |
| Language: | eng |
| Abstract: | The MIDEM meeting in Cannes disclosed the antagonism between American and European copyright systems. In the U.S. music is regarded as the frame of the movie.The American work-for-hire concept is unacceptable in Europe, where the moral rights provision aims at defending the integrity of soundtrack composer's work.This basic difference may prevent European-American cooperation unless some solution is found. |
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