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| Author: | Smith, G. M. |
| Title: | Sign wars: the battlegrounds of semiotics of cinema in Anglo-Saxonia |
| Journal: | Degres
1990 : VOL. 18:64, p. c26 |
| Index terms: | |
| Freeterms: | semantics, film industry |
| Language: | eng |
| Abstract: | This is a short history of semiotics of cinema in the English-speaking world. First developments. Metz with his saussurian and Wollen with his Pierce-ian roots. The counter-attack of conventional film theory led by Henderson. Screen theory and its Marxist origins (Althusser). Psychoanalytic film theory based on Lacan. Theoretical imperialism. |
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