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| Author: | Eleftheriotis, D. |
| Title: | Euro-visions: Technologies of vision in Until the End of the World |
| Journal: | Futures
1998 : DEC, VOL. 30:10, p. 959-965 |
| Index terms: | Technological change Future Europe |
| Freeterms: | Motion pictures |
| Language: | eng |
| Abstract: | Until the End of the World can be seen as a global film in terms of its production process, narrative structure, theme and universal appeal. This universality is challenged through demonstration that the film mobilizes distinctive and definitive European perspectives in its attempt to speculate about the global future. The film's imagining of technological development in the near future is examined. The film is particularly preoccupied with the future of technologies of vision, the techno-scientific and artistic ways through which people represent themselves and the world around them. |
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