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| Tekijä: | |
| Otsikko: | Le radice e i rami: ricerche pre-semiotiche e sviluppi post-semiotici |
| Lehti: | Degres
1990 : VOL. 18:64, p. d16 |
| Asiasana: | |
| Vapaa asiasana: | semiology, film industry |
| Kieli: | eng |
| Tiivistelmä: | Three famous theories of the film from the pre-semiotic era are presented: Il verosimile filmico of della Volpe, with its stress on the contrast between form and content; Albert Laffay's Logique du cinema, the theory of the film as a narrative and Jean Mitry's Esthetique et psychologie du cinema which treats film as a language what represents something beyond itself. |
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